Bloemstillevens uit Dordrecht 1750-1825 en hun voorlopers, Dordrecht, 2022

'The development of the still lifes of Frans Snijders up to 1615', The Burlington Magazine 164, number 1431, June 2022, pp. 568-577

'Amazement and Admiration. The perception of floral still lifes in the long seventeenth century', in Ariane van Suchtelen (ed.), In Full Bloom, exhibition catalogue, Mauritshuis, The Hague, 2022, pp. 11-27  (Dutch edition: In volle bloei)

’Ambrosius Bosschaert the Elder, Antwerp 1573-1621 The Hague', A Still Life of Flowers in a Bottle of Green Glass‘, cat. no. 3, pp. 28-33 in Salomon Lilian Old Masters 2022

Entries on bird paintings by Jakob Bogdány, Melchior d'Hondecoeter, Frans Snijders, Jan Asselijn, Georg Flegel, Peeter Boel, Roelant Savery, and on a watercolour by Aert Schouman in Bird. Exploring the Winged World (eds. V. Clarke, and T. Furness) , London/New York 2021 (pp. 10, 49, 80, 97, 102, 161, 271, 272)

'Birds Galore', Sotheby's website, May 2021, see https://www.sothebys.com/en/articles/birds-galore?locale=en

'Remembering Andris and Julia Wieg', Sotheby's website, March 2021, see https://www.sothebys.com/en/articles/remembering-andris-and-julia-wieg

'Still life, between brush and photography', exh. cat. Unearthed: Photography's Roots, London, Dulwich Picture Gallery, 2020/2021, pp. 21-27

Entries on pantings by 'Pittore nordico' (cat. no. 29, pp. 88-89), 'Adriaen van Utrecht (bottega) o Constancia van Utrecht (?)' (cat. no. 78, pp. 220-221), and 'Jan Pauwel Gillemans il vecchio' (cat. no. 80, pp. 224-225), in La seduzione della bellezza. Collezione Luigi Cremonini, Milan 2020

'The photography of Carla van de Puttelaar' in Carla van de Puttelaar, Light Touch, no. 12 in the series The Real Photobook, Amsterdam, Kahmann Gallery, 2020

Entries on flower paintings by Rachel Ruysch, Jan Davidsz. de Heem, Ambrosius Bosschaert the Elder, Gerard van Spaendonck, Balthasar van der Ast, and Jan Brueghel the Elder, in Flower. Exploring the World in Bloom (eds. V. Clarke, L. Ciccaglione and R. Pickles) , London/New York 2020 (pp. 86, 125, 177, 201, 267, 268)

’Jan Davidsz. de Heem, Utrecht 1606 – 1684 Antwerp, Interior of a Painter’s Studio‘, cat. no. 4, pp. 22-33 in Salomon Lilian Old Masters 2020

Entries on Osias Beert I (cat. no. 84, pp. 304-305), Cornelis Norbertus Gijsbrechts (cat. nos. 88 and 89, pp. 312-315), Jan van Kessel I (cat. no. 87, pp. 310-311), and Roelant Savery (cat. no. 83, pp. 302-303) in exhibition catalogue Rubens, Van Dyck and the Splendour of Flemish Painting, Budapest, Szépmüvészeti Muzeum, 30 October 2019 - 16 February 2020

 ‘Review of: A.A. Van Wagenberg-Ter Hoeven, Jan Baptist Weenix and Jan Weenix: The paintings, 2018’, Oud Holland Reviews, September 2019 (written 2018), see https://oudholland.rkd.nl/index.php/reviews/21-review-of-jan-baptist-and-jan-weenix-2018

‘’Still life with fruit’ by Jan Davidsz. de Heem’, ‘’Still life with a lobster’ by Joris van Son’ in V. Avery and M. Calaresu (eds.), Feast & Fast. The Art of Food in Europe 1500-1800, Cambridge, Fitzwilliam Museum, 2019, pp. 236-239

'Flemish Seventeenth-Century Stil-Life Paintings and Venetian Glass' and catalogue entries on still lifes by O. Beert I, C. Peeters, F. Snijders, J.Dz. de Heem, A. van Beijeren and J. van de Kerckhove, in exhibition catalogue From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections, Venice, Palazzo Ducale, 2019, pp. 37-45 and cat. nos. 84-90 (pp. 220-231)

'Preface / Vorwort' in Gabrielle Groschner, Zwischen den Dingen. Zwei Stillleben von Jan und Cornelis de Heem / Between the Objects. Two still lifes by Jan and Cornelis de Heem, Salzburg 2019, p. 12-13

'Gerard & Cornelis van Spaendonck. Twee Tilburgse 'Académiciens' in Parijs', Collect 23, no. 3 (April 2019), pp. 54-59

Franchoys Ryckhals. Een Zeeuwse meester uit de Gouden Eeuw, Zierikzee/Zwolle 2018

Entries on paintings by Joannes Fijt, and Ambrosius Bosschaert I in Chambre Privée. Meisterwerke aus dem Wohnzimmer eines Sammlers, exhibition publication, ed. S. Ayooghi, Aachen, Suermont-Ludwig Museum, 2018

'Jan van Huijsum "Fenix der Bloem- en Fruitschilders"', Collect 22,no. 7 (October 2018), pp. 132-135

'Garland of flowers, suspended between two animal skulls, a dragonfly above', catalogue entry no. 22 in exhibition publication Michaelina Wautier 1604-1689 Gloryfying a Forgotten Talent, Katlijne van der Stighelen et al, Antwerp, 2018

'Woord Vooraf' (Preface) in Pen & Penseel / Eric De Vree, Ghent 2018, pp. 5-7 [On the work of still-life and landscape painter Eric De Vree (1966)]

Entries on paintings by Jacob Gillig, Willem Claesz. Heda, Isaac van Ostade, and Frans Sant-Acker in Gestatten, Suermondt! Sammler Kenner Kunstmäzen, exhibition publication, Aachen, Suermont-Ludwig Museum, 2018

'A drawing of a hound by Hendrick Carré II (1696-1775)’, Delineavit et Sculpsit, no. 41, 2017

‘Slow Food’ in Collect, March 2017

‘Maaltijdstillevens in de Zuidelijke en Noordelijke Nederlanden. Een wisselwerking?’/ Meal Still Lifes in the Southern and Northern Netherlands: Reciprocal ’, Q. Buvelot / Y. Bleyerveld (ed.), exh. cat. Slow Food. Hollandse en Vlaamse maaltijstillevens 1600-1640 / Dutch and Flemish Meal Still Lifes 1600-1640, The Hague, Mauritshuis, 2017, pp. 33-49

‘Vaikelud Peetersist Treuni / Still Lifes from Peeters to Treu’ exh. cat. Küllus ja kadavuvus. Natüürmort Soome ja Baltimaade kogudest / Abundance and Ephemerality. Still Lifes from Finnish and Baltic Collections, Kadrioru Kunstimuuseum, Tallinn, 2017, pp. 28-50

‘A Portrait of a four-year old Child with a Sheep, recognized as the work of Andries van Isendoorn (1624/25 – 1695/1702)’ with C.M. van de Puttelaar, Oud Holland 129 (2016)

‘Johannes Goedaert als tekenaar en schilder’, in K. Beaart (compiled by), Johannes Goedaert 1617-1668 : fijnschilder en entomoloog, Middelburg 2016

‘Nicolaes van Verendael’ and ‘Jasper Gerards’ in exhibition catalogue Linking Pieces, Museum Bredius, Den Haag, 2016-2017

Willem Kalf, Rotterdam 1619-1693 Amsterdam : still life of shells and corals, before a lacquer casket upon a draped table, brochure Salomon Lilian, Geneva / Amsterdam, 2016

‘Pieter Claesz, stilleven’ in Thank you : a tribute to Willem Baron van Dedem (1929-2015), private publication Mauritshuis, Den Haag, National Gallery, London, Rijksmuseum, Amsterdam

‘Clara Peeters’ virtuoze verfijning’ in Collect, Summer 2016

Jan Davidsz. de Heem 1606-1684 (Dissertation University of Amsterdam, June 2016)

‘Jan Albertsz. Rotius als stillevenschilder’ in exhibition catalogue Jan Albertsz Rotius : meesterschilder van Hoorn, Westfries Museum, Hoorn, 2016, pp. 120-129

 Essay and all catalogue entries in exhibition catalogue Brueghel to Canaletto: European Masterpieces from the Grasset collection, San Diego, San Diego Museum of Art, 2016

‘Balthasar van der Ast, Vruchtenboeket’ in Collect, March 2016

‘Dirk Valkenburg. A Eurasian eagle-owl with a dead chicken in a landscape […]’ in catalogue Salomon Lilian, Old Masters,Geneva / Amsterdam 2016

‘Balthasar van der Ast und die Niederländische Stillebenmalerei im 17. Jahrhundert’, and catalogue entries 1, 2 and 3 (Ambr. Bosschaert I), in exhibition catalogue Die Stilleben des Balthasar van der Ast (1593/94-1657), Suermondt-Ludwig Museum, Aachen / Herzoglisches Museum Stiftung Schloss Friedenstein, Gotha, 2016

‘Jan Davidsz. de Heem (Utrecht 1606-1684 Antwerp) A Still Life […]’, in Dutch and Flemish Old Master Paintings TWENTY, Johnny van Haeften Gallery, London, 2015, cat. no. 14.

‘Abraham van Calraet als stillevenschilder’ and entries 4, 5, 6, 7, 8 and 9, in C. Dumas e.a., Kennerschap Bredius. Geen Cuyp, wel Calraet, Den Haag 2015, pp. 31-42, 54-69

‘A Room Full of Paintings’ in Art Rules XV-XVII century Masterpieces from Private Collections, Tallinn 2015, pp. 4-5

‘The 'forgotten' oeuvre of Henri de Fromantiou’ in Henri de Fromantiou, vorstelijke illusies/ Henri de Fromatiou, Royal Illusions, Maastricht 2015, pp. 56-93 (with M. Rakhorst) and contributions to ‘Oeuvre catalogue of Henri de Fromantiou’, pp. 96-114

Entries on Balthasar van der Ast (cat. no. 35), Pieter Claesz. and Roelof Koets (40), Willem Claesz. Heda (41), Joseph de Bray (53), Melchior d’Hondecoeter (58), Pieter de Ring (61), Abraham van Beijeren (62), Willem Kalf (63), and P. van Slingelandt (130), in I. Ember (ed.) exhibition catalogue Rembrandt and the Dutch Golden Age, Szépmüveszéti Muzeum, Budapest, 2014-2015

Entries on Ambrosius Bosschaert I (cat. nos. 12, 13), Balthasar van der Ast (14), Jan Brueghel I (15), Frans Snijders (16), Gottfried von Wedig (17) and on an anonymous flower still life (18), in H. Buijs and G. Luijten (eds.) exhibition catalogue Goltzius to Van Gogh. Drawings and Paintings from the P.& N. de Boer Foundation, Fondation Custodia, Paris, 2014-2015

‘Seventeenth-Century Still-Life Paintings: blooming, withering and ressurecting’, in F. Woodley (ed.), exhibition catalogue Still Life, All Coherence Gone?, Bay Art Gallery, Cardiff, 2014, pp. 14-16

‘Nicolaes van Haeften, prints and paintings’, Liber Amicorum Charles Dumas, 2014, pp. 142-153

‘Ambrosius Bosschaert the Elder, A still life of spring and summer flowers in an ornamented glass vase’ in catalogue NINETEEN, Johnny van Haeften, London, December 2013

Review of the exhibition catalogue Elegance and Refinement. The Still-Life Paintings of Willem van Aelst, Burlington Magazine 155 (2013), no. 2 (February), pp. 105-106

‘Jan Davidsz. de Heem’s Landscapes’, Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur, Den Haag 2013, pp. 253-270

‘Bloemstillevens in de Gouden Eeuw / Flower Pieces in the Golden Age’ in tent. cat. Bas Meeuws, Photographic Flower Pieces, Westfries Museum, Hoorn, Augustus 2013, pp. 8-12

Entries 10 (F. Hals) en 64 (G.J. van den Berg) in S. Craft-Giepmans and A. de Vries (eds.), exhibition catalogue Portret in Portret in de Nederlandse Kunst 1550-2012, Dordrecht 2012

‘Kunst van de dag’ on www.galeries.nl, April 2012 (31 brief introductions to works of art, published on line one each day of the month), with Carla van de Puttelaar.

‘Rondom het schilderijenbezit van Cornelis de Vlaming van Oudshoorn. Enkele voorzichtige voorstellen tot identificatie’, RKD Bulletin 2012/2, pp. 130-136

‘A partridge by Abraham van Calraet (1642-1722) in Budapest’ in Geest en gratie. Essays Presented to Ildikó Ember on Her Seventieth Birthday, Budapest 2012, pp. 20-25

Jan Davidsz. de Heem Utrecht 1606-1683/84. A still life of a vase of flowers, a silver tazza and two pewter dishes of fruit on a table draped with an oriental carpet and a red cloth, brochure, Richard Green Gallery, London, 2012

‘Flaami ja Hollandi vaikelud Kadrioru kunstmuusemumis (Flemish and Dutch Still-Lifes in the Kadriorg Art Museum)’ in G. Koppel (ed.), cat. Madalmaade kunst Kadrioru Kunstmuuseumis, Tallin, 2012

Contributions (three entries and co-readership) to I. Ember, Old Masters’ Gallery Catalogues. Szépmüvészeti Muzeum Budapest. Dutch and Flemish Still Lifes 1600-1800, Budapest / Leiden 2012

‘A Drawing by Gerards Thomas (1663-1720)’, Liber Amicorum Dorine Sasse van Ysselt, The Hague 2011

‘Virtuosität, Wohlstand, und geträumte Trophäen. Niederländische Stilleben mit toten Tieren zwischen 1600 und 1800’ and two catalogue entries, in exhibition catalogue Von Schönheit und Tod. Tierstilleben von der Renaissance bis zur Moderne, Kunsthalle Karlsruhe, 2011-2012

'Carla van de Puttelaar's Cranach Series' Essay (on p. 2) with portfolio Cranach Series of 15 photos by Carla van de Puttelaar, Santa Fe,  Photo Eye 2010

‘Democritus by Jacob Duck (c.1600-1667), a rejected design for a print?’, Oud Holland 123 (2010), no. 2, pp. 166-169

‘An unexpected collaboration: Jan Olis (c.1610-1676) and Jacques de Claeuw (1623-1694)’, Oud Holland 123 (2010), no. 1, pp. 76-77 

‘Kunst van de dag’ on www.galeries.nl, December 2009 (31 brief introductions to works of art, published on line one every day of the month), with Carla van de Puttelaar.

Catalogue entries on still lifes by Jan Davidsz. de Heem (2x) and Willem Kalf, catalogue Dutch and Flemish Old Master Paintings SEVENTEEN, Johnny van Haeften Gallery, London, 2009

Contributions on paintings by C. Netscher (?), P. van den Bosch, H. Galle, M. d’Hondecoeter, follower of P. de Hooch, G. Ruoppolo, Anonymous Antwerp School and Anonymous Dutch School in Ch. Dumas (red.), Verrassende restauraties. Zeventien gerestaureerde schilderijen uit de collectie van Museum Bredius, Museum Bredius, Den Haag, 2009 

‘A Seventeenth-century Antwerp Bouquet of Flowers in a Vase by Andries Daniels (active 1599- 1640 or after) and Frans Francken II (1581-1642)’, Museo de Bellas Artes de Bilbao Bulletin 2008 (published 2009), pp. 101-127 (available online as PDF: https://www.museobilbao.com/in/uploads/salas_lecturas/archivo_in-31.pdf)

‘An Interior with an Old Scholar from 1629 by Jan Davidsz. de Heem (1606-1683/84)’ in Anja K. Ševčík (ed.), Haně Seifertové k 75. narozeninám, Prague 2009, pp. 46-51

‘Herkend: Een stilleven van David Rijckaert II’, Magazine Rijksmuseum Twenthe 2009, no. 1, pp. 26-28.

Catalogue entries on still lifes by Georg Hinz and Gillis van Hulsdonck, catalogue Portraits and Other Recent Acquisitions 2009, Lawrence Steigrad Fine Arts, New York .

Catalogue entries on still lifes by Jan Dz. de Heem and Floris van Schooten, catalogue Old Masters 2009, Salomon Lilian, Amsterdam.

Catalogue entry on a still life by J.F. van Dael, catalogue Nineteenth Century Paintings, Nov. 2008, Richard Green Gallery, London

Essay ‘Vanitas- und Bankettstilleben’ in exhibition catalogue Die Magie der Dinge. Stillebenmalerei 1500-1800, Städel Museum Frankfurt/ Kunstmuseum Basel, 2008/2009

Essay ‘Joseph en Dirck de Bray, stillevenschilders’ and eight catalogue entries in exhibition catalogue Salomon, Jan en Dirck de Bray. Vier schilders in een gezin, Frans Hals Museum, Haarlem / Dulwich Picture Gallery, London, 2008

Catalogue entry on a painting by Dirck Hals, catalogue Portraits and Other Recent Acquisitions 2008, Lawrence Steigrad Fine Arts, New York

Catalogue entries on still lifes by Balthasar van der Ast and Jan Pauwel Gillemans, catalogue Old Masters 2008, Salomon Lilian, Amsterdam

Catalogue entries on still lifes by Jan van Rossum and Adriaen van der Spelt, catalogue Dutch and Flemish Old Master Paintings SIXTEEN (2007), Johnny van Haeften, Londen

Catalogue entry for an early flower painting by Ambrosius Bosschaert I, auction catalogue Christie’s New York, 4 October 2007, lot 106

Review of: M. Brunner-Bulst, Pieter Claesz. der Hauptmeister des Haarlemer Stillebens im 17. Jahrhundert and exhibition catalogue Pieter Claesz Master of Haarlem Still Life (Haarlem, Washington and Zürich), Oud Holland 120 (2007), pp. 136-146

‘Aandacht voor twee vroeg achttiende-eeuwse kunstenaarsportretten: een zelfportret van Louis de Moni (1698-1771) en een onopgelost raadsel’, RKD Bulletin Juli 2007, special issue, pp. 40-45

Exhibition review of Jan van Huysum (Delft, Prinsenhof), The Burlington Magazine CXLIX, no. 1247 (February 2007), p.134-135

Catalogue entries on still lifes by Balthasar van der Ast and Simon Verelst, catalogue Old Masters 2007, Salomon Lilian, Amsterdam

Five catalogue entries on Jan van Huysum in exh. cat. Vom Adel der Malerei. Holland um 1700 (De kroon op het werk, Hollandse schilderkunst 1670-1750), Wallraf-Richartz-Museum, Keulen / Dordrechts Museum / Gemäldegalerie Alte Meister, Museumslandschaft Hessen Kassel 2006-2007

‘Willem Kalf in Parijs’ (with J. Giltaij), ‘Het Amsterdamse oeuvre van Willem Kalf in perspectief’, ‘De Amsterdamse stillevens’, ‘In navolging van Willem Kalf’, ‘Addenda en corrigenda op Lucius Grisebachs catalogus van de werken van Willem Kalf’, and twelve catalogue entries in exhibition catalogue Willem Kalf 1619-1693, Museum Boijmans Van Beuningen, Rotterdam / Aachen, Suermondt-Ludwig-Museum 2006-2007

Jan Davidsz de Heem (1606-1684): his influences and his followers, brochure Rafael Valls Limited, London, December 2006

‘A new attribution proposed for an enigmatic painting: The return of Tobias and the Angel by Pieter Verelst’, in M. Roscam Abbing (ed.), Rembrandt 2006: Essays, Leiden 2006

‘Jan Olis (c. 1610-1676) as a painter of larger figures’, Oud Holland 118 (2005), pp. 92-102

Nine entries on still-life paintings in Favorieten van Museum de Fundatie, Zwolle 2005

‘De Favoriet. Joris Ponse, Bloemstilleven met dode haas’, Dordrechts Museum Bulletin 30 (2005), no. 2, pp. 14,15

“ Meer dan een kopie, Juan de Arellano en Daniel Seghers / More than a copy, Juan de Arellano and Daniel Seghers”, RKD Bulletin, 2005/2, pp. 48-50

‘Asperges in de Nederlandse (stilleven)schilderkunst van de zeventiende en vroege achttiende eeuw’ and (contributions to) various catalogue entries in exhibition catalogue Asperges in olieverf, Limburgs Museum, Venlo, 2005

‘Visstillevens in Holland en Vlaanderen’, 47 catalogue entries, and ‘ Compendium van schilders van het visstilleven’ in L. Helmus (ed.), exhibition catalogue VIS Stillevens van Hollandse en Vlaamse meesters 1550-1700, Utrecht, 2004 (English edition: FISH Still Lifes by Dutch and Flemish Masters 1550-1700).

The Ashmolean Museum Oxford. Catalogue of the Collection of Paintings. The Collection of Dutch and Flemish Still-life Paintings Bequeathed by Daisy Linda Ward (Collection Catalogue with two introductory essays), Zwolle/Oxford 2003.

(with A. van der Willigen), A Dictionary of Dutch and Flemish Still-life Painters in Oils, 1525-1725 (Leiden 2003).

‘David de Coninck (ca. 1644-in of na 1701), Een hond en een kat, elkaar bedreigend, olieverf op doek, 70 x 96 cm’, Exhibition catalogue Beelden uit het RKD. Een tentoonstelling van favoriete objecten uit bezit van medewerkers van het Rijksbureau voor Kunsthistorische Documentatie ter gelegenheid van het afscheid van Jan Teeuwisse, The Hague 2002, unnumbered pp.

‘Jacob Gerritsz. Cuyp als schilder van stillevens en dierstukken’, S. Paarlberg (ed.), Jacob Gerritsz. Cuyp (1594-1652), Dordrecht 2002, pp. 63-74.

‘Jacht en jachtbuit op enkele Vlaamse schilderijen’ in 200 jaar verzamelen. Collectieboek Museum voor Schone Kunsten Gent, Ghent 2000, (written 1997) pp. 87-89

Review of three still-life publications from 1999, Oud Holland 114 (2000), pp. 223-236 (published 2001)

‘Een stilleven van Simon Luttichuys, "overschildert en vermeerdert" door Willem Kalf. Een bijzonder aspect van de Hollandse zeventiende-eeuwse atelierpraktijk’, Razprave Iz Evropske Umetnosti (Festschrift for Ksenja Rozman), Ljubljana, 1999, (written 1995) pp. 99-109

Nine articles on Hague artists and co-author of the ‘Illustrated Index of Painters active in The Hague between 1660-1700’ in E. Buijsen e.a., exhibition publication Haagse Schilders in de Gouden Eeuw, Hoogsteder & Hoogsteder, The Hague, 1998

‘Johannes Hannot, Leiden 1633-1684. Pronkstilleven in een tuin’ catalogue entry in A. Balis en P. Coessens (eds.), Kunst in de Bank. Een keuze van Rubens tot Magritte, Brussels 1997, pp. 121-22

‘Louis Michiel (active c.1665-after 1681), a Little-Known Painter of Flowers, Fruit and Game Pieces’, Oud Holland 111 (1997), no. 4, pp. 241-252

‘Twee is niet altijd meer dan één / Two is not always more than one’, RKD Bulletin 1997-2, pp. 16-20

Waarom zouden we het doorgeven? / Why tell them?’, RKD Bulletin 1997-1, pp. 19-20

‘Jan van Huysum’ and ‘Rachel Ruysch’ in Sheila Muller (ed.), Dutch Art, an Encyclopedia, New York/London 1997

Review of Johannes Herman Buma, François Ryckhals 1609-1647, een schilderende magiër uit Middelburg […], Oud Holland 109 (1995), no. 4, pp. 217-221

‘Some flower paintings by Adriaen van Utrecht (1599-1652), a Still Life of Fruit by Constancia van Utrecht (after 1606- after 1647) and a Portrait of Adriaen and Constancia’, Oud Holland 109 (1995), no. 3, pp. 165-169

‘Not Ambrosius Brueghel (1617-1675), but Adriaen van Nieulandt (1587-1658); a mutilated image of Vanity’, Oud Holland 109 (1995), no. 3, pp. 158-164

‘Een nieuwe kijk op Franchoys Elaut (1589-1635)’, Oud Holland 109 (1995), no.1/2, pp. 18-31

Various catalogue entries in exhibition catalogue The Lure of Still Life, Galleria Lorenzelli, Bergamo / Galerie Lingenauber, Düsseldorf, 1995

Ten catalogue entries and ten artists’ biographies in E. Buijsen e.a., exhibition publication The Hoogsteder Exhibition of Music & Painting in the Golden Age, Hoogsteder & Hoogsteder, The Hague, 1994

‘De portretten van Jan van Huysum door Arnold Boonen en anderen’, Oud Holland 108 (1994), no. 3, pp. 127-136

‘Surinaamse insecten door Cornelia de Rijck/Insects from Surinam by Cornelia de Rijck’, RKD Bulletin 1994-1, pp. 5-7

‘Twee monogrammisten in rijksbezit geïdentificeerd. Christoffel van den Berghe en misschien Jan Vosmaer’, Bulletin van het Rijksmuseum 42 (1994), pp. 150-156

Two catalogue entries in J. Giltay (ed.), De verzameling van de Stichting Willem van der Vorm in het Museum Boymans-van Beuningen, Rotterdam 1994

Four catalogue entries and four artists’ biografies in exhibition catalogue Dawn of the Golden Age. Northern Netherlandish Art 1580-1620 , Rijksmuseum, Amsterdam 1993

‘Frühstückstilleben und monochrome Banketjes’, Kunst und Antiquitäten 1993, no. 1/2, pp. 19-23, 31

Review of Sam Segal, A prosperous past: the sumptuous still life in the Netherlands 1600-1700 […], Simiolus 20 (1990/1991), no. 1, pp. 91-98

 ‘A Fruit Still Life by Abraham Mignon’, The Minneapolis Institute of Arts Bulletin LXVII, 1995 (written 1988) pp. 58-68

Various catalogue entries in B. Brenninkmeijer-De Rooij e.a., Boeketten uit de Gouden Eeuw/ Bouquets from the Golden Age, Mauritshuis, The Hague, (Publication and catalogue with the exhibition Het Mauritshuis in Bloei), The Hague, 1992

‘Een uitzonderlijk werk van Abraham Bosschaert (1612/12-1643)’, Oud Holland 106 (1992), no. 4, pp. 184-185

‘Enige schilderijen van C.B.A. Ruthart’, Oud Holland 104 (1990), no. 3/4, pp. 331-335

‘Pieter Cornelisz. van Egmondt, een kennismaking’, Oud Holland 104 (1990), no. 3/4, pp. 256-269

Stillevens uit de Gouden Eeuw. Eigen collectie/ Still Life Paintings from the Golden Age. Own Collection (Collection Catalogue with introductory essay), Museum Boymans - Van Beuningen, Rotterdam 1989

‘Philip van Kouwenbergh’, Oud Holland 102 (1988), pp.313-321

‘Jan Davidsz. de Heem’s Earliest Paintings, 1626-28’, Hoogsteder-Naumann Mercury 7 (1988), pp. 29-36

‘Een aantekening bij Scott A Sullivan’s ‘Abraham van Beijeren’s Visserij-bord in the Groote Kerk, Maassluis’’, Oud Holland 102 (1988), no. 3, pp. 243-245

‘Gebruiksglas in de zestiende en zeventiende eeuw’, “’t Seghen Waert” Kwartaalblad van het Historisch Genootschap Oud Soetermeer 7, no.1, January 1988, pp. 17-23

‘A fragment of a “Pronkstilleven” by Jasper Geerards in the Bredius Museum’, Hoogsteder-Naumann Mercury 4 (1986), pp. 39-47

Review of O. ter Kuile, Seventeenth-century North Netherlandish Still Lifes, […], Oud Holland 100 (1986), no. 3/4, pp. 204-206

‘Glas’, Archeologisch bodemonderzoek in Delft 2, November 1984, pp. 8-11

‘Het huis Altena’, De stad Delft, cultuur en maatschappij van 1667 tot 1813, Museum Het Prinsenhof, Delft 1982, Vol. I, pp.45-46, Vol II, fig. 89-91

‘Het huis Altena’, De stad Delft, cultuur en maatschappij van 1572 tot 1667, Museum Het Prinsenhof, Delft 1981, Vol. I, pp.68-70, Vol II, fig. 86-88

numerous contributions to Saur Allgemeines Künstler-Lexikon, Munich/Leipzig, 1996-2010 and

2011 Saur Allgemeines Künstler-Lexikon: Hardimé, Heda’s, De Heem’s

2012 Saur Allgemeines Künstler-Lexikon: Joachim van den Heuvel

2013 Saur Allgemeines Künstler-Lexikon: Balthasar Huys, Jacob, Justus, Michiel van Huysum, Anthonie en Adriaen van Isendoorn